FCSH Curricular Provision

The Institute of Medieval Studies and its researchers actively collaborate in the Faculty's pedagogical offer, integrating, in varying scales and dimensions, the training offer of the three teaching cycles, for the areas of History (1st, 2nd and 3rd cycle), Archaeology (1st, 2nd and 3rd cycle) and History of Art (1st, 2nd and 3rd cycle).

Curricular year 2023/2024

See the list of Curricular Units to which IEM is linked:

1st Cycle Curricular Units

Undergraduate in Archeology

Medieval Christian Archaeology
History of the Middles Ages
Methodology in Archaeology
History of War in the Middle Ages
Archaeological Register

Undergraduate in History

Medieval Portuguese History (9th-13th Century)
Medieval Portuguese History (13th-15th Century)
Medieval History (5th-11th Century)
Medieval History (12th-15th Centuries)
Historiography
History of War in the Middle Ages
Religious History of the Medieval West (5th – 15th centuries)
Medieval Cultural History and Mentalities

Optional units:

1st Semester

Researching on the Middle Ages: working on IEM’s projects I
Research at VINCULUM project – introduction to historical archivistic databases auditoring

2nd Semester
Researching on the Middle Ages: working on IEM’s projects II

Undergraduate in History of Art

History of Romanesque Art

2nd Cycle Curricular Units

Master in Archeology

Rural archeology

Master in History – specialization in Medieval History

Monitoring Seminar (History)
Mental Categories: Practices and Representations in the Middle Ages
History of Private Life in the Middle Ages
History of Medieval Lisbon
Power Systems in the Middle Ages
Society and Culture in the Middle Ages

Optional units:

1st Semester

Pilgrimage in the Middle Ages: routes, shrines, relics and powers
Research at VINCULUM project – advanced correction and revision of historical archivistic databases

2nd Semester
Diplomacy in the Middle Ages
Provisioning Medieval Portuguese Towns
The 100 Year War | Portugal and Europe

Master in History of Art

The shaping of space, symbolic language and memory in Romanesque art
Models, Images and Powers in Medieval Art, from the Suevi Kingdom to the transition to Gothic